Search results for " Symbols of Declamation"

The Eighteenth-century Opera and the Search for a Meeting Point between Music and Declamation

2019

The article is the result of some researches about the ideas on the operatic reform appeared in Italy and France from 1740s onwards. On the basis of acting, some treatises written by actors, philosophers and musicographers claim the dramatic superiority of recitativo secco or obbligato, and the beauty of aria parlante. (e.g., L. Riccoboni, Dell’arte rappresentativa, 1728, G. Manfredi, L’attore in scena, 1734, G. R. Carli, L’indole del teatro tragico, 1746, and Osservazioni sulla musica antica e moderna, 1744-1786, G. Tartini, Trattato di musica secondo la vera scienza dell’armonia, 1754, F. Algarotti, Saggio sopra l’opera in musica, 1755). Owing to its particular speaking tone linked to dec…